Our Mythical Childhood...
The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges
Bibliography
We wish to make use of our work also to share the results of our bibliographical query in the hope they can facilitate further research of other colleagues all over the globe. In this place we gather scholarly publications on the reception and children’s and young adults’ culture.
- Adler, Eric (2008). "Post-9/11 Views of Rome and the Nature of «Defensive Imperialism»". [In:] "International Journal of the Classical Tradition" 15, pp. 587-610.
- Albachten, Özlem Berk (2008). “The Myth of Troy as a lieu de mémoire. Turkish Cultural Memory and Translations of the Iliad in the 1950s”. [In:] "Classical Receptions Journal" 9, pp. 287-306. (Resource link)
- Almagor, Elan; Maurice, Lisa (2017). The Reception of Ancient Virtues and Vices in Modern Popular Culture. Beauty, Bravery, Blood and Glory. Boston-Leiden: Brill.
- Arkins, Brian (1999). Greek and Roman Themes in Joyce. Lewiston: E. Mellen Press.
- Arkins, Brian (2005). Hellensing Ireland. Greek and Roman Themes in Modern Irish Literature. Newbridge: Goldsmith.
- Arkins, Brian (2010). Irish Appropriation of Greek Tragedy. Dublin: Carysfort Press.
- Armstrong, Richard H. (2005). A Compulsion for Antiquity: Freud and the Ancient World . Ithaca: Cornell University Press.
- Austin, Norman (1994). Helen of Troy and her Shameless Phantom. Ithaca: Cornell University Press.
- Baker, Abigail (2016). “'Everything good we stood for'. Exhibiting Greek Art in World War II”. [In:] "Classical Receptions Journal" 8, pp. 404-428. (Resource link)
- Baltussen, Han (2015). “A 'Homeric' Hymn to Stalin: Performing Safe Criticism in Ancient Greek?”. [In:] "Classical Receptions Journal" 7, pp. 223-241.
- Barnard, Mary E. (1987). The Myth of Apollo and Daphne from Ovid to Quevedo, Love, Agon, and the Grotesque. Durham: Duke University Press.
- Baswell, Christopher (1995). Virgil in Medieval England. Figuring the Aeneid from the Twelfth Century to Chaucer. Cambridge; New York, NY: Cambridge University Press.
- Beard, Mary (2000). The Invention of Jane Harrison. Cambridge, MA: Harvard University Press.
- Bernard, John D. (1986). Vergil at 2000. Commemorative Essays on the Poet and His Influence. New York, NY: AMS Press.
- Bernardo, Aldo S.; Levin, Saul (1990). Classics in the Middle Ages. Papers of the Twentieth Annual Conference of the Center for Medieval and Early Renaissance Studies. Binghamton: Center for Medieval & Early Renaissance Studies.
- Bessières, Vivien (2016). Le péplum et après? L'Antiquité gréco-romaine dans les récits contemporains. Paris: Classiques Garnier.
- Bettini, Maurizio (1992). Il ritratto dell’amante. Torino: Einaudi.
- Bettini, Maurizio (2002; 2003; 2004; 2007; 2010; 2013; 2015). Il mito di Elena; Il mito di Narciso; Il mito di Edipo; Il mito delle Sirene; Il mito di Circe; Il mito di Enea; Il mito di Arianna. Torino: Einaudi.
- Bettini, Maurizio (2017). A che servono i Greci e Romani?. Torino: Einaudi.
- Bilsel, Can (2012). Antiquity on Display. Regimes of the Authentic in Berlin's Pergamon Museum. Oxford: Oxford University Press.
- Blake McHam, Sarah (2013). Pliny and the Artistic Culture of the Italian Renaissance. The Legacy of the Natural History. New Haven: Yale Univerisity Press.
- Blanshared, Alastair J. L. (2010). Sex, Vice and Love from Antiquity to Modernity. Malden, Oxford: Blackwell.
- Blondell, Ruby (2015). Helen of Troy. Beauty, Myth, Devastation. Oxford; New York, NY: Oxford University Press.
- Bocheński, Jacek (2010). Antyk po antyku. Warszawa: Świat Książki.
- Bondanella, Peter E. (1987). The Eternal City: Roman Images in the Modern World. Chapel Hill: University of North Carolina Press.
- Bowman, Laurel (2002). "Buffy the Vampire Slayer. The Greek Hero Revisited". (Resource link)
- Bowman, Laurel (2002). "Buffy the Vampire Slayer. The Greek Hero Revisited". (Resource link)
- Bradley, Mark (2010). Classics and the British Empire. Oxford: Oxford University Press.
- Braund, Susanna (2011). Translation as a Battlefield: Dryden, Pope and the Frogs and Mice. [In:] "International Journal of the Classical Tradition" 18, pp. 547-568.
- Briggs, Ward S. Jr. (ed.) (1994). Biographical Dictionary of North American Classicists. Westport-London: Greenwood Press.
- Brockwiss, William; Chaudhuri, Pramit; Haimson, Lushkov Ayelet; Wasdin, Katherine (2012). Reception and the Classics: An Interdisciplinary Approach to the Classical Tradition. Cambridge; New York, NY: Cambridge University Press.
- Brown, Sarah Annes (1999). The Metamorphosis of Ovid from Chaucer to Ted Hughes. New York, NY: St. Martin's Press.
- Budzowska, Małgorzata; Czerwińska, Jadwiga (ed.) (2015). Ancient Myths in the Making of Culture. Frankfurt-am-Mein: Peter Lang.
- Burton, Paul J. (2013). Pax Romana/Pax Americana: Views of the New Rome from Old Europe, 2000-2010. [In:] "International Journal of the Classical Tradition" 20, pp. 15-40.
- Butler, Shane (ed.) (2016). Deep Classics: Rethinking Classical Reception. London, New York, NY: Bloomsbury Academic.
- Calder III, William M. (ed.) (1991). The Cambridge Ritualists Reconsidered. Atlanta: Scholars Press.
- Calder III, William M. (ed.) (1992). Werner Jaeger Reconsidered. Atlanta: Scholars Press.
- Carlà Filippo, Freitag Florian (2015). Ancient Greek Culture and Myth in the Terra Mítica Themre Park. [In:] "Classical Receptions Journal" 7, pp. 242-259.
- Carlevale, John (2006). The Dionysian Revival in American Fiction of the Sixties. [In:] "International Journal of the Classical Tradition" 12, pp. 364-391.
- Caruso, Carlo; Laird, Andrew (ed.) (2009). Italy and the Classical Tradition. Language, Thought and Poetry, 1300-1600. London, New York, NY: Bloomsbury Academic.
- Cole, Nicholas P. (2013). Nineteenth-century Ciceros. [In:] The Cambridge Companion to Cicero. ed. Catherine Steel. New York, NY: Cambridge University Press.
- Considine, John (2009). Ancient Greek among the Eightinth-century Languages of Science: Linnaeus, Dillenius, and the Lexicographical Record. [In:] "International Journal of the Classical Tradition" 16, pp. 330-343.
- Conte, Gian Bagio (2016). On the text of the Aneid. And editor's expierience. [In:] Latin Literature and Its Transmission. Paper in Honour of Michael Reeve. ed. Richard L. Hunter, Steven P. Oakley. Cambridge; New York, NY: Cambridge University Press.
- Cook, William W.; Tatum, James (2012). African American Writers and Classical Tradition. Chicago, Bristol: University of Chicago Press.
- Copeland, Rita (ed.) (2016); Cheney, Patrick; Hardie, Philip (ed.) (2015); Hopkins, David; Martindale, Charles (ed.) (2012); Vance, Norman; Wallace, Jennifer (ed.) (2015). The Oxford History of Classical Reception in English Literature, vol. 1: 800-1558; vol. 2: 1558-1660; vol. 3: 1660-1790; vol. 4: 1790-1880. Oxford: Oxford University Press.
- Cyrino, Monica S. (2005). Big Screen Rome. Malden, Oxford: Blackwell.
- Cyrino, Monica S. (2008). Rome. Season One: History Makes Television. Malden, Oxford: Blackwell.
- Cyrino, Monica S. (ed.) (2013). Screening Love and Sex in the Ancient World. Basingstoke: Palgrave Macmillan.
- Czapczyk, Paweł; Kubiak, Zygmunt (2009). Klasyczne miary i świat współczesny. Z Zygmuntem Kubiakiem rozmawia Paweł Czapczyk. Warszawa: Więź.
- deJong, J. F. Irene; Sullivan J. P. (ed.) (1994). Modern Critical Theory and Classical Literature. Leiden, Boston: Brill.
- Dillon, John; Wimer, Stephen (ed.) (2005). Rebel Women: Staging Ancient Greek Drama Today. London: Methuen.
- Dominas, Konrad (2015). Antiquity in Social Media. The case of the 'FILMWEB' Portal and Its Users. [In:] "Classica Cracoviensia" 17, pp. 21-43.
- Dominas, Konrad; Wesołowska, Elżbieta; Trocha, Bogdan (ed.) (2016). Antiquity in Popular Literature and Culture. Newcastle-upon-Tyne: Cambridge Scholars.
- Doody, Aude (2010). Pilny's Encyclopedia. The Reception of the Natural History. Cambridge; New York, NY: Cambridge University Press.
- duBois, Page (1991). Torture and Truth. New York, NY: Routledge.
- duBois, Page (2010). Out of Athens. The New Ancient Greeks. Cambridge, MA: Harvard University Press.
- Dyson, Stephen L. (2006). In Pursuit of Ancient Pasts. A History of Classical Archeology in the Nineteenth and Twentieth Centuries. New Haven: Yale University Press.
- Eccleston, Sasha-Mae (2017). Fantasies of Mimnermos in Anne Carson's "The Brainsex Paintings" (Plainwater). [In:] Classical Tradition in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Elkins, James (1999). Pictures of the Body: Pain and Metamorphosis. Stanford: Stanford University Press.
- Elsner, Jaś (2013). Paideia. Ancient Concept and Modern Reception. [In:] "International Journal of the Classical Tradition" 20, pp. 136-152.
- Ewans, Michael (2007). Opera from the Greek: Studies in the Poetics of Appropriation. Aldershot, Burlington: Ashgate Press.
- Fabbro, Elena (2006). Il mito greco nell'opera di Pasolini. Attii del Convegno 'Il mito greco nell'opera di Pasolini”, Udine – Casarsa della Delizia, 24–26 ottobre 2002. Udine: Forum.
- Farrell, Joseph (2001). Latin Language and Latin Culture from the Ancient to Modern Times. Cambridge; New York, NY: Cambridge University Press.
- Feder, Lilian (1971). Ancient Myth in Modern Poetry. Princeton: Princeton University Press.
- Flack, Leah Culligan (2015). Modernism and Homer. The Oddyseys of H.D., James Joyce, Osip Mandelstam, and Ezra Pound. Cambridge; New York, NY: Cambridge University Press.
- Flugt, Cecilie (2017). Theorizing Fantasy: Enchantment, Parody, and the Classical Tradition. [In:] Classical Traditions in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Fögen Thorsten, Warren Richard (ed.) (2016). Graeco-Roman Antiquity and the Idea of Nationalism in the 19th Century: Case Studies. Berlin: De Gruyter.
- Folch, Marcus (2017). A Time for Fantasy: Retelling Apuleius in C. S. Lewis's Till We Have Faces. [In:] Classical Tradition in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Fotheringham, Lynn S. (2013). Twentieth/twenty-first-century Cicero(s). [In:] The Cambridge Companion to Cicero. ed. Catherine Steel. New York, NY: Cambridge University Press.
- Fowler, Rowena (1993). Moments and Metamorphoses. Virginia Woolf's Greece. [In:] "Comparative Literature" 51, pp. 217-242.
- Fox, Matthew (2013). Cicero during the Enlightenment. [In:] The Cambridge Companion to Cicero. ed. Catherine Steel. New York, NY: Cambridge University Press.
- Freeland, Cynthia A. (ed.) (1998). Feminist Interpretations of Aristotle. University Park: Pennsylvania State University Press.
- Gaisser, Julia Haig (2008). The Fortunes of Apuleius and the Golden Ass. A Study in Transmission and Reception. Princeton: Princeton University Press.
- Gaisser, Julia Haig (2012). Catullus. Chichester: Wiley-Blackwell.
- Galinsky, Karl (1972). The Herakles Theme. The Adaptations of the Hero in Literature from Homer to the Twentieth Century. Oxford: Blackwell.
- Garber, Marjorie; Vickers, Nancy J. (ed.) (2003). The Medusa Reader. New York, NY: Routledge.
- Gardner, Coates Victoria C.; Seydl, Jon L. (ed.) (2007). Antiquity Recovered. The Legacy of Pompeii and Herculaneum. Malibu: Getty Publications.
- Gardner, Coates Victoria C.; Seydl, Jon L. (ed.) (2007). Antiquity Recovered. The Legacy of Pompeii and Herculaneum. Malibu: Getty Publications.
- Gazzano, Francesca; Pagani, Lara; Traina, Giusto (ed.) (2016). Greek Texts and Armenian Traditions: An Interdisciplinary Approach. Berlin, Boston: De Gruyter.
- Gessert, Genevieve S. (2017). The Mirror Crack'd: Fractured Classicisms in the Pre-Raphaelites and Victorian Illustration. [In:] Classical Traditions in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Gibson, Roy K.; Shuttleworth, Kraus Cristina (ed.) (2002). The Classical Commentary. Histories, Practices, Theory. Leiden, Boston: Brill.
- Goff, Barbara (ed.) (2005). Classics and Colonialism. London: Duckworth.
- Goff, Barbara; Simpson, Michael (ed.) (2007). Crossroads in the Black Aegean. Oedipus, Antigone and Dramas of the African Diaspora. Oxford: Oxford University Press.
- Goldwyn, Adam J.; Nikopoulos, James (ed.) (2017). Brill's Companion to the Reception of Classics in International Modernism and the Avant-garde. Leiden, Boston: Brill.
- Gordon, Joel (2017). When Superman Smote Zeus. Analysing Violent Deicide in Popular Culture. [In:] "Classical Receptions Journal" 9, pp. 211-236.
- Gowing, Alain M. (2013). Tully's Boat: Responses to Cicero in the Imperial Period. [In:] The Cambridge Companion to Cicero. ed. Catherine Steel. New York, NY: Cambridge University Press.
- Grafton, Anthony (1997). The Footnote. A Curious History. Cambridge, MA: Harvard University Press.
- Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (ed.) (2010). The Classical Tradition. Cambridge, MA: Harvard University Press.
- Graziosi, Barbara; Greenwood, Emily (ed.) (2007). Homer in the Twentieth Century: Between World Literature and the Canon. Oxford: Oxford University Press.
- Greene, Ellen (ed.) (1997). Re-reading Sappho: Reception and Transmission. Berkeley, CA: University of California Press.
- Greenwood, Emily (2010). Afro-Greeks: Dialogues between Anglophone Caribbean Literature and Classics in the Twentieth Century. Oxford: Oxford University Press.
- Gummere, Richard M. (1963). The American Colonial Mind and the Classical Tradition. Cambridge, MA: Harvard University Press.
- Güthenke, Constanze (2009). Shop talk. Reception Studies and Recent Work in the History of Scholarship. [In:] "Classical Receptions Journal" 1, pp. 104-115.
- Haase, Wolfgang; Meyer, Reinhold (eds.) (1994). The Classical Tradition and the Americas. Berlin: De Gruyter.
- Hairston, Eric Ashley (2013). The Ebony Colmn: Classics, Civilization, and the African American Reclamation of the West. Knoxville, TN: University of Tennessee Press.
- Hales, Shelley; Paul, Joanna (ed.) (2011). Pompeii in the Public Imagination from Its Rediscovery to Today. Oxford: Oxford University Press.
- Hall, Edith; Harrop, Stephe (ed.) (2010). Theorising Performance: Greek Drama, Cultural History and Critical Practice. London: Bloomsbury Publishing.
- Hallett, Judith; Can Nortwick, Thomas (ed.) (1997). Compromising Traditions. The Personal Voice in Classical Scholarship. London, New York, NY: Routledge.
- Hardie, Philip R. (2009). Lucretian Receptions: History,The Sublime, Knowledge. Cambridge: Cambridge University Press.
- Hardie, Philip R. (2013). Redeeming The Text. Reception Studies and the Renaissance. [In:] "Classical Receptions Journal" 5, pp. 190-198.
- Hardie, Philip R.; Barchiesi, Alessandro; Hinds, Stephen (1999). Ovidian Transformations. Essays on the Metamorphoses and its Reception. Cambridge: Cambridge Philological Society.
- Hardwick, Lorna (2000). Electrifying the Canon. The Impact of Computing on Classical Studies . [In:] "Computers and the Humanities" 34, pp. 279-295.
- Hardwick, Lorna (2000). Translating Worlds, Translating Cultures. London: Duckworth.
- Hardwick, Lorna (2003). Reception studies. Oxford; New York, NY: Oxford University Press.
- Hardwick, Lorna; Gillespie, Carol (ed.) (2007). Classics in Post-colonial Worlds. Oxford: Oxford University Press.
- Hardwick, Lorna; Harrison, Stephen J. (ed.) (2013). Classics in the Modern World: a "Democratic" Turn?. Oxford: Oxford University Press.
- Hardwick, Lorna; Stray, Christopher (ed.) (2008). A Companion to Classical Reception. Chichester: Wiley-Blackwell.
- Harris, William V. (2016). Roman Power: A Thousand Years of Empire. Cambridge: Cambridge University Press.
- Haskell, Yasmin (2013). Child Murder and Chid's Play: The Emotions of Children in Jakob Bidermann's Epic on the Massacre of the Innocents (Herodiados libri iii, 1622). [In:] "International Journal of the Classical Tradition" 20, pp. 83-100.
- Haynes, Kenneth (2007). English Literature and Ancient Languages. Oxford: Oxford University Press.
- Highet, Gilbert (1949). The Classical Tradition. Oxford; New York, NY: Oxford University Press.
- Hinds, Stephen (2005). Defamiliarizing Latin Literature, from Petrarch to Pulp Fiction. [In:] "Transactions of the American Philological Association" 135, pp. 49-81.
- Hulton, Dorinda (2014). Practice as Research in Drama and Theatre Inside and Outside Academia. The implications for Classical Reception Studies. [In:] "Classical Receptions Journal" 6, pp. 338-359.
- Hurst, Isobel (2008). Victorian Women Writers and the Classics. The Feminine of Homer. Oxford: Oxford University Press.
- Ioannidou, Eleftheria (2017). Greek Fragments in Postmodern Frames. Rewriting Tragedy 1970-2005. Oxford: Oxford University Press.
- Jacks, Philip Joshua (1993). The Antiquarian and the Myth of Antiquity. The Origins of Rome in Renaissance Thought. Cambridge: Cambridge University Press.
- Jeffreys, Elizabeth (2014). We Need to Talk about Byzantium: or Byzantium, Its Reception of the Classical World as Discussed in Current Scholarship, and Should Classicists Pay Attention?. [In:] "Classical Receptions Journal" 6, pp. 158-174.
- Jenkins, Thomas E. (2015). Antiquity Now. The Classical World in the Contemporary American Imagination. Cambridge: Cambridge University Press.
- Joshel, Sandra R.; Malamud, Margaret; McGuire, Donald T. (ed.) (2001). Imperial Projections. Ancient Rome in Modern Popular Culture. Baltimore, MD; London: Johns Hopkins University Press.
- Kallendorf, Craig (2007). The Other Virgil. "Pessimistic" Readings of the Aeneid in Early Modern Culture. Oxford: Oxford University Press.
- Kallendorf, Craig (ed.) (2007). A Companion to the Classical Tradition. Oxford: Blackwell.
- Kavin, Rowe Christopher (2016). One True Life: The Stoics and Early Christians as Rivial Traditions. New Haven: Yale Univerisity Press.
- Keen, Tony (2019). More 'T' Vicar? Revisiting Models and Methodologies for Classical Receptions in Science Fiction. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Kennedy, Duncan F. (2013). Antiquity and the Meanings of Time. A Philosophy of Ancient and Modern Literature. London: I.B. Tauris.
- Kenward, Claire (2019). Time Travel and Self-Reflexivity of Homer's Iliad. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Klarer, Mario (1993). Woman and Arcadia. The Impact of Ancient Utopian Thought on the Early Image of America. [In:] "Journal of American Studies" 27, pp. 1-17.
- Konaris, Michael D. (2016). The Greek Gods in Modern Scholarship, Interpretation and Belief in Nineteenth and Early Twentieth Century Germany and Britain. Oxford, New York, NY: Oxford University Press.
- Kopff E., Christian (1999). The Devil Knows Latin. Why America Needs the Classical Tradition. Wilmington: ISI Books.
- Kovacs, George; Marshall, C. W. (2011). Classics and Comics. Oxford: Oxford University Press.
- Krämer, Robinson Peter (2017). Classical Antiquity and the Timeless Horrors of H. P. Lovecraft. [In:] Classical Tradition in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Kraus, Christina S.; Stray, Christopher (ed.) (2016). Classical Commentaries, Explorations in a Scholarly Genre. Oxford, New York, NY: Oxford University Press.
- Kurtz, Donna (ed.) (2004). Reception of Classical Art. An Introduction. Oxford: Archaeopress.
- Lamberton, Robert; Keaney, John J. (ed.) (1992). Homer's Ancient Readers. The Hermeneutics of Greek Epic's Earliest Exegetes. Princeton: Princeton University Press.
- Lamers, Han; Reitz-Joosse, Bettina (2016). Lingua Lictoria. The Latin Literature of Italian Fascism. [In:] "Classical Receptions Journal" 8, pp. 216-252.
- Lamers, Han; Reitz-Joosse, Bettina (2016). "Lingua Lictoria. The Latin Literature of Italian Fascism". [In:] "Classical Receptions Journal" 8, pp. 216-252.
- Lanham, Richard A. (1993). The Electronic Word: Democracy, Technology, and the Arts. Chicago: University of Chicago Press.
- Leonard, Miriam (1999). "Creating a Dawn: Writing through Antiquity in the Works of Hélène Cixous". [In:] "Arethusa" 33, pp. 121-148.
- Leonard, Miriam (1999). "Irigaray’s Cave. Feminist Theory and the Politics of French Classicism". [In:] "Ramus" 28, pp. 152-168.
- Leonard, Miriam (2005). Athens in Paris. Ancient Greece and the Political in Post-War French Thought. Oxford: Oxford University Press.
- Leonard, Miriam (ed.) (2010). Derrida and Antiquity. Oxford: Oxford University Press.
- Llewellyn, Jones Lloyd (2009). "Hollywood's ancient world". [In:] A Companion to Ancient History. ed. Andrew Erskine. Malden-Oxford: Wiley-Blackwell, pp. 564-579.
- Lushkov, Ayelet Haimson (2017). Genre, Mimesis, and Virgilian Intertext in George R. R. Martin's A Song of Ice and Fire. [In:] Classical Tradition in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Maas, Michael (1992). John Lydus and the Roman Past: Antiquarianism and Politics in the Age of Justinian. London, New York, NY: Routledge.
- Maccormack, Sabine (2013). Cicero in Late Antiquity. [In:] The Cambridge Companion to Cicero. ed. Catherine Steel. New York, NY: Cambridge University Press.
- Maguire, Laurie (2010). Helen of Troy: From Homer to Hollywood. Malden: Wiley-Blackwell.
- Makowiecki, Andrzej Z. (2000). Literatura i piśmiennictwo polskie 1864-1918 wobec tradycji antycznej. Warszawa: OBTA.
- Malamud, Margaret (2008). Ancient Rome and Modern America. Malden, Oxford: Blackwell.
- Marsh, David (2013). Cicero in the Renaissance. [In:] The Cambridge Companion to Cicero. ed. Catherine Steel. New York, NY: Cambridge University Press.
- Marshall, C. W. (2019). Classical Reception and the Half-Elf Cleric . [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Martindale, Charles (2013). “Reception – a New Humanism? Receptivity, Pedagogy, the Transhistorical”. [In:] "Classical Receptions Journal" 5, pp. 169–183.
- Martindale, Charles (ed.) (1988). Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century. Cambridge: Cambridge University Press.
- Martindale, Charles; Thomas, Richard F. (ed.) (2006). Classics and the Uses of Reception. Oxford: Blackwell.
- Martirosova, Torlone Zara; LaCourse, Munteanu Dana; Dutsch, Dorota (ed.) (2017). A Handbook to Classical Reception in Eastern and Central Europe. Malden, Oxford: Blackwell.
- Maurice, Lisa (2017). Rewriting the Ancient World: Greeks, Romans, Jews and Christians in Modern Popular Fiction. Leiden, Boston: Brill.
- McAuley, Alex (2019). The Divine Emperor in Virgil's Aeneid and the Warhammer 40K Universe. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- McLeod, Glenda (1991). Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance. Ann Arbor: University of Michgan Press.
- McManus, Barbara F. (2017). The Drunken Duchess of Vassar. Grace Harriet Macurdy, Pioneering Feminist Classical Scholar. Columbus: Ohio State University Press.
- Merrills, A. H. (2009). The Origins of 'Vandalism'. [In:] "International Journal of the Classical Tradition" 16, pp. 155–175.
- Merrills, A. H. (2009). "The Origins of 'Vandalism'". [In:] "International Journal of the Classical Tradition" 16, pp. 155–175. . [In:] "International Journal of the Classical Tradition" 16, pp. 155–175.
- Michelakis, Pantelis (2013). Greek Tragedy on Screen. Oxford: Oxford University Press.
- Mikołajczak, Aleksaner W.; Dominas, Konrad; Dymczyk, Rafał (ed.) (2015). Antyk w zwierciadle literatury i kultury popularnej. Poznań: Pracownia Humanistycznych Studiów Interdyscyplinarnych.
- Miller, Paul Allen (1998). “The Classical Roots of Post-Structuralism: Lacan, Derrida, Foucault”. [In:] "International Journal of the Classical Tradition" 5, pp. 204–225.
- Miller, Paul Allen (2007). Postmodern Spiritual Practices: The Construction of the Subject and the Reception of Plato in Lacan, Derrida, and Foucault. Columbus: Ohio State University Press.
- Momigliano, Arnaldo (1990). The Classical Foundations of Modern Historiography. Berkeley, CA: University of California Press.
- Momigliano, Arnaldo (1994). Studies on Modern Scholarship. Berkeley, CA: University of California Press.
- Morais, Carlos; Hardwick, Lorna; de Fátima, Silva Maria (ed.) (2017). Portrayals of Antigone in Portugal: 20th and 21st Century Rewritings of the Antigone Myth. Boston-Leiden: Brill.
- Moscati, Castelnuovo (ed.) (2017). Solone e Creso. Variazioni letterarie, filosofiche e iconografiche su un tema erodoteo. Atti della giornata di studi – Macerata 10 marzo 2015. Macerata: eum edizioni.
- Moses, Stephen B.; Rogers, Brett M. (2019). Dynamic Tensions: The Figure(s) of Atlas in The Rocky Horror Picture Show. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Moul, Victoria (ed.) (2017). A Guide to Neo-Latin Literature. Cambridge; New York, NY: Cambridge University Press.
- Murrin, Michael (2007). “Athena and Telemachus”. [In:] "International Journal of the Classical Tradition" 13, pp. 499–514.
- Näf, Beat (ed.) (2001). Antike und Altertumswissenschaft in der Zeit von Faschismus und Nationalsozialismus. Kolloquium Universität Zürich 14.–17. Oktober 1998. Mandelbachtal, Cambridge: cicero.
- Nikoloutsos, Konstantinos P. (ed.) (2013). Ancient Greek Women in Film. Oxford: Oxford University Press.
- Nisbet, Gideon (2006). Ancient Greece in Film and Popular Culture. Liverpool: Liverpool University Press.
- Norskov, Vinnie (2002). Greek Vases in New Contexts: The Collecting and Trading of Greek Vases. An Aspect of the Modern Reception of Antiquity. Aarhus: Aarhus University Press.
- Nygard, Travis; Tomasso, Vincent (2016). “Andy Warhol's Alexander the Great. An Ancient Portrait for Alexander Iolas in a Postmodern Frame”. [In:] "Classical Receptions Journal" 8, pp. 253–275.
- Orrells, Daniel; Bhambra, Gurminder K.; Roynon Theresa (ed.) (2011). African Athena. New Agendas. Oxford: Oxford University Press.
- Ostler, Nicholas (2009). Ad infinitum. A Biography of Latin. London: HarperPress.
- Padilla, Mark William (2016). Classical Myth in Four Films of Alfred Hitchcock. Lanham, Boulder: Lexington Books.
- Paul, Joanna (2010). “Cinematic receptions of antiquity. The current state of play”. [In:] "Classical Receptions Journal" 2, pp. 136–155.
- Paul, Joanna (2013). Film and the Classical Epic Tradition. Oxford: Oxford University Press.
- Pelling, Christopher; Wyke, Maria (2014). Twelve Voices from Greece and Rome. Ancient Ideas for Modern Times. Oxford, New York, NY: Oxford University Press.
- Pfaff, Matthew (2015). “Metatexts. Classical Reception without the Classics in the Poetics of Charles Bernstein”. [In:] "Classical Receptions Journal" 7, pp. 333–354.
- Pfeiffer, Rudolf (1976). History of Classical Scholarship from 1300 to 1850. Oxford: Clarendon Press.
- Phillippo, Susanna (2007). “«A Future for Astyanax». Alternative and Imagined Futures for Hector’s Son in Classical and European Drama”. [In:] "International Journal of the Classical Tradition" 14, pp. 321–374.
- Pormann, Peter E. (2009). “Classics and Islam: From Homer to al-Qā'ida”. [In:] "International Journal of the Classical Tradition" 16, pp. 197–233.
- Porter, James I. (2006). Classical Pasts. The Classical Traditions of Greece and Rome. Princeton: Princeton University Press.
- Prettejohn, Elizabeth (2012). The Modernity of Ancient Sculpture. Greek Sculpture and Modern Art from Winckelmann to Picasso. London: I.B. Tauris.
- Prins, Yopie (1999). Victorian Sappho. Princeton: Princeton University Press.
- Putnam, Michael C.J. (2004). Poetic Interplay. Catullus and Horace. Princeton: Princeton University Press.
- Quint, David (1993). Epic and Empire. Politics and Generic Form from Virgil to Milton. Princeton: Princeton University Press.
- Rabinowitz, Nancy; Richlin, Amy (ed.) (1993). Feminist Theory and the Classics. London, New York, NY: Routledge.
- Ranck, Jennifer C. (2019). Finding Cassandra in Science Fiction: The Seer of Agamemnon and the Time-Traveling Protector of Continuum. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Rankine, Patrice D. (2006). Ulysses in Black. Ralph Ellison, Classicism, and African American Literature. Madison: University of Wisconsin Press.
- Rea, Jennifer A. (2017). Aeneas' American New World in Jo Graham's Black Ships. [In:] Classical Tradition in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Renger, Almut-Barbara; Solomon, Jon (ed.) (2013). Ancient Worlds in Film and Television. Gender and Politics. Boston-Leiden: Brill.
- Riddiford, Alexander (2013). Madly After the Muses. Bengali Poet Michael Madhusudan Datta and his Reception of the Graeco-Roman Classics. Oxford, New York, NY: Oxford University Press.
- Riedel, Volker (2010). “Goethe als Rezipient römischer Literatur”. [In:] "International Journal of the Classical Tradition" 17, pp. 178–218.
- Rizo, Elisa; Henry, Madeleine M. (ed.) (2016). Receptions of the Classics in the African Diaspora of the Hispanophone and Lusophone Worlds. Atlantis Otherwise. Lanham: Lexington Books.
- Roche, Helen (2016). “Xenophon and the Nazis. A Case Study in the Politicization of Greek Thought through Educational Propaganda”. [In:] "Classical Receptions Journal" 8, pp. 71–89.
- Rogers, Brett M.; Stevens, Benjamin Eldon (2015). Classical Traditions in Science Fiction. Oxford, New York, NY: Oxford University Press.
- Rogers, Brett M.; Stevens, Benjamin Eldon (2017). Introduction: Fantasies of Antiquity. [In:] Classical Traditions in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Rogers, Brett M.; Stevens, Benjamin Eldon (2019). Introduction: Displacing Antiquities in Science Fiction and Fantasy. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Rose, Marice (ed.) (2015). Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600. Leiden, Boston: Brill.
- Scodel, Ruth; Bettenworth, Anja (2008). Whither Quo Vadis? Sienkiewicz's Novel in Film and Television. Malden, Oxford: Blackwell.
- Scott, Jill (2005). Electra after Freud: Myth and Culture. Ithaca, London: Cornell University Press.
- Seidensticker, Bernd; Vöhler, Martin (ed.) (2001). Urgeschichten der Moderne. Die Antike im 20. Jahrhundert. Stuttgart: Metzler.
- Settis, Salvatore (2004). Futuro del classico. Einaudi: Torino.
- Shay, Jonathan (1994). Achilles in Vietnam: Combat Trauma and the Undoing of Character. New York, NY: Atheneum.
- Shuttleworth, Kraus Kristina; Stray, Christopher (ed.) (2015). Classical Commentary: Explorations in a Scholarly Genre. Oxford: Oxford University Press.
- Silk, Michael; Gildenhard, Ingo; Barrow, Rosemary (2014). The Classical Tradition: Art, Literature, Thought. Malden, Oxford: Blackwell.
- Singerman, Jerome E. (1985). Under Clouds of Poesy: Poetry and Truth in French and English Reworkings of Aeneid, 1160-1513. New York, NY: Garland.
- Solomon, Jon (1993). Accessing Antiquity: The Computerization of Classical Studies. Tucson, AZ: The University of Arizona Press.
- Solomon, Jon (2007). “The Vacillations of the Trojan Myth. Popularization & Classicization, Variation & Codification”. [In:] "International Journal of the Classical Tradition" 14, pp. 482–534.
- Staley, Gregory A. (2013). “Hawthorne's Ovidian Transformations”. [In:] "Classical Receptions Journal" 5, pp. 126–143.
- Stanford, William Bedell (1954). The Ulysses Theme: A Study in the Adaptability of a Traditional Hero. Oxford: Blackwell.
- Starikovsky, Grigory (2013). “Mikhail Lomonosov: the Case of the Russian Pindar”. [In:] "Classical Receptions Journal" 5, pp. 268–284.
- Steiner, George (1984). Antigones: The Antigone Myth in Western Literature, Art and Thought. Clarendon Press: Oxford.
- Stephens, Susan A.; Phiroze, Vasunia (ed.) (2010). Classics and National Cultures. Oxford: Oxford University Press.
- Stephenson, Paul (2016). The Serpent Column: A Cultural Biography. Oxford, New York, NY: Oxford University Press.
- Stevens, Benjamin Eldon (2019). "The Nearest Technically Impossible Thing": Classical Receptions in Helen Oyeyemi. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Stoneman, Richard (1994). Legends of Alexander the Great. London, Rutland: J.M. Dent and Charles E. Tuttle.
- Stray, Chirstopher A. (1998). Classics Transformed: Schools, Universities, and Society in England, 1830-1960. Oxford: Clarendon Press.
- Stray, Chirstopher A. (2007). Remaking the Classics: Literature, Genre and Media in Britain 1800–2000. London: Bloomsbury Publishing.
- Stray, Chirstopher A. (2007). Classical Books: Scholarship and Publishing in Britain since 1800. London: Institute of Classical Studies.
- Stray, Chirstopher A. (ed.) (2011). Classical Dictionaries: Past, Present and Future. London: Duckworth.
- Taida, Ichiro (2015). “A Pioneer of Classical Studies in Japan, Shigeichi Kure. A Focus on His Translations”. [In: ] "Classical Receptions Journal" 7, pp. 260–275.
- Theodorakopoulus, Elena (2010). Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome. Liverpool: Liverpool University Press.
- Tomasso, Vincent (2019). The Gods Problem in Gene Wolfe's Soldier of the Mist. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Traill, David A. (1993). Excavating Schliemann: Collected Papers on Schliemann. Atlanta: Scholars Press.
- Valente, Catherynne M. (2019). Just Your Average Tuesday-Morning Minotaur. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Van Houdt, Toon (2017). The Imperfect Body in Nazi Germany: Ancient Concepts, Modern Technologies. [In:] Disability in Antiquity. ed. Christian Laes. London, New York, NY: Routledge. (Resource link)
- Van Steen, Gonda Aline Hector (2000). Venom in Verse: Aristophanes in Modern Greece. Princeton: Princeton University Press.
- Van Steen, Gonda Aline Hector (2001). “Playing by the Censor’s Rules? Classical Drama Revived under the Greek Junta (1967–1974)”. [In:] "Journal of the Greek Diaspora" 27, pp. 133–194.
- Van Zyl, Smit Betine (2003). “The Reception of Greek Tragedy in South Africa”. [In:] "Eirene" 39, pp. 234–254.
- Van Zyl, Smit Betine (2003). “The Reception of Greek Tragedy in the ‘Old’ and the ‘New’ South Africa”. [In:] "Akroterion" 48, pp. 3–20.
- Van Zyl, Smit Betine (2008). “From Penelope to Winnie Mandela – Women Who Waited”. [In:] "International Journal of the Classical Tradition" 15, pp. 393–406.
- Vance, Norman (1997). The Victorians and Ancient Rome. Oxford, Cambridge, MA: Blackwell.
- Vasunia, Phiroze (2001). The Gift of the Nile: Hellenizing Egypt from Aeschylus to Alexander. Berkeley, CA: University of California Press.
- Vasunia, Phiroze (2013). Empire without End. Postcolonialism and the Ancient World. London: I.B. Tauris.
- Vasunia, Phiroze (2013). The Classics and Colonial India. Oxford, New York, NY: Oxford University Press.
- Vickers, Michael J. (1987). "Value and Simplicity. Eighteenth-century Taste and the Study of Greek Vases". [In:] “Past and Present” 116, pp. 98–137.
- Wåghäll Nivre Elisabeth et al. (ed.) (2015). Allusions and Reflections: Greek and Roman Mythology in Renaissance Europe. Newcastle-upon-Tyne: Cambridge Scholars.
- Wall, Kathleen (1988). The Callisto Myth from Ovid to Atwood. Initiation and Rape in Literature. Kingston: McGill-Queen's University Press.
- Wallace, Jennifer (1997). Shelley and Greece: Rethinking Romantic Hellenism. New York, NY: Palgrave Macmillan.
- Walters, Tracey L. (2007). African American Literature and the Classicist Tradition. Black Women Writers from Wheatley to Morrison. New York, NY: Palgrave Macmillan.
- Walton, J. Michael (2006). Found in Translation: Greek Drama in English. Cambridge: Cambridge University Press.
- Walzer, Richard (1962). Greek into Arabic: Essays on Islamic Philosophy. Cambridge, MA: Harvard University Press.
- Waquet, Françoise (1998). Le latin, ou l'empire d'un signe: Vie–XXe siècle. Paris: Éditions Albin Michel.
- Weber, Ralph (2013). “A Stick Which May be Grabbed on Either Side: Sino-Hellenic Studies in the Mirror of Comparative Philosophy”. [In:] "International Journal of the Classical Tradition" 20, pp. 1–14.
- Weiner, Jesse (2015). “Antigone in Juárez. Tragedy, Politics, and Public Women on Mexico's Northern Border”. [In:] "Classical Receptions Journal" 7, pp. 276–309.
- Weiner, Jesse (2017). Classical Epic and the Poetics of Modern Fantasy. [In:] Classical Traditions in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Weiner, Jesse (2019). Saxa loquuntur?? Archeological Fantasies in Wilhelm Jensen's Gradiva. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Wetmore, Kevin J. Jr. (2012). The Athenian Sun in an African Sky: Modern African Adaptations of Classical Greek Tragedy. Jefferson-London: McFarland & Co.
- Wetmore, Kevin J. Jr. (2003). Black Dionysus: Greek Tragedy and African American Theatre. Jefferson-London: McFarland & Co.
- White, Michael (1992). The Continuous and the Discrete: Ancient Physical Theories from a Contemporary Perspective. Oxford: Clarendon Press.
- Wiles, David (2007). Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation. Cambridge: Cambridge University Press.
- Wilson, Catherine (2010). Epicureanism at the Origins of Modernity. Oxford: Oxford University Press.
- Wingrove, Elizabeth (2016). “Political Displacement at the Point of Reception”. [In:] "Classical Receptions Journal" 8, pp. 114–132.
- Winkle, Jeffrey T. (2017). C. S. Lewis's The Voyage of the "Dawn Treader" and Apuleius' Metamorphoses. [In:] Classical Tradition in Modern Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. Oxford, New York, NY: Oxford University Press.
- Winkler, Martin M. (1991). Classics and Cinema. Lewisburg: Bucknell University Press.
- Winkler, Martin M. (ed.) (2001). Classical Myth and Culture in the Cinema. Oxford: Oxford University Press.
- Winkler, Martin M. (ed.) (2006). Troy. From Homer's Iliad to Epic Film. Malden, Oxford: Blackwell.
- Winkler, Martin M. (ed.) (2007). Spartacus. Film and History. Malden, Oxford: Blackwell.
- Winkler, Martin M. (ed.) (2013). The Fall of the Roman Empire. Film and History. Malden, Oxford: Blackwell.
- Winkler, Martin M. (ed.) (2015). Return to Troy. Essays in the Hollywood Epic. Boston-Leiden: Brill.
- Winterer, Caroline (2001). “Victorian Antigone: Classicism and Women’s Education in America, 1840–1900”. [In:] "American Quarterly" 53, pp. 70–93.
- Wiseman, Timothy P. (ed.) (2002). Classics in Progress. Essays on Ancient Greece and Rome. Oxford: Oxford University Press.
- Wrigley, Amanda (2015). Greece on Air. Engagements with Ancient Greece on BBC Radio, 1920s–1960s. Oxford: Oxford University Press.
- Wyke, Maria (1997). “Herculean Muscle! The Classicizing Rhetoric of Bodybuilding”. [In:] "Arion" 4, pp. 51–79.
- Wyke, Maria (1997). Projecting the Past. Ancient Rome, Cinema, and History. London, New York, NY: Routledge.
- Wyke, Maria (1997). Caesar. A Life in Western Culture. London: Granta Books.
- Wyke, Maria (2003). “Are You Not Entertained? Classicists and Cinema”. [In:] "International Journal of the Classical Tradition" 9, pp. 430–445.
- Zajko, Vanda; Leonard, Miriam (2006). Laughing with Medusa: Classical Myth and Feminist Thought. Oxford; New York, NY: Oxford University Press.
- Zajko, Vanda; O'Gorman, Ellen (eds.) (2013). Classical Myth and Psychoanalysis. Ancient and Modern Stories of the Self. Oxford: Oxford University Press.
- Zanetto, Giuseppe; Canavero, Daniela; Capra, Andrea; Sgobbi, Alessandro (ed.) (2004). Momenti della ricezione omerica. Milano: Cisalpino Istituto Editoriale Universitario.
- Zientek, Laura (2019). Monuments and Tradition in Jack McDevitt's The Engines of God. [In:] Once and Future Antiquities in Science Fiction and Fantasy. ed. Brett M. Rogers, Benjamin Eldon Stevens. London: Bloomsbury Publishing.
- Ziolkowski, Jan M. (2007). Nota Bene: Reading Classics and Writing Melodies in the Early Middle Ages. Turnhout: Brepols.
- Ziolkowski, Theodore (1993). Virgil and the Moderns. Princeton: Princeton University Press.