Gary Crew’s Old Ridley is an unsettling picture book for older readers that explores the notion of everlasting life being both alluring and nightmarish. Its presentation and themes recall two of Crew’s other books, The Viewer (1997), with Shaun Tan, and Serpent’s Tale (2010), illustrated by Matt Ottley. These works have in common an interest in temporality, magic objects and the supernatural, and the intention to engage, confront and disquiet readers. The blurb on the endpapers of Old Ridley states that "this curious tale was inspired by the myth of Tithonus, a mortal youth, and Eos, immortal goddess of the dawn." After briefly recounting the myth, it concludes "but just what this has to do with the story of Joachim and old Ridley, you will have to find out for yourself…"
In fact the myth plays only a minor part in the narrative, which also features gothic and steampunk aesthetics, and references the figure of Albert Einstein. One image of whitehaired old Ridley resembles the scientist, and his famous equation, e = mc2, is interwoven into one the illustrations. The myth of Tithonus and Eos is most prominent in McBride’s illustration of the stained glass window which Joachim finds in Ridley’s abandoned house. Eos reaches a huge hand towards the beholder, while Tithonus is shown gradually wasting away as he grows older, yet never dies. The lovers’ names are inscribed several times on the glass, and there are scrawled snatches of handwritten text, wrapped around fluted classical columns, which tell the story. The stained glass window evokes the notion of a tradition in which fragments of classical material, both textual and iconographic, are appropriated. But the metaphor is not fully explored.
McBride’s illustrations are surreal and fantastic. Their style recalls the work of another Australian illustrator, Shaun Tan, who also explores the fusion of mechanical and organic forms, though McBride favours a stronger colour palette. The images suit the dark mood of Crew’s narrative, and contain coded references to the Tithonus myth that supplement the oblique allusions within the written text. Cicadas appear on old Ridley’s jewelled ring, and on the pattern of the carpet on the grand spiral staircase in his house. But it is difficult to imagine children warming to the pictures in the book. The back cover features a disturbing image of a pallid human face with bulging eyeballs, connected to electrical wiring.It is bound within a gilded frame that is plugged into a cord that extends from the helmet old Ridley wears on the front cover.
The myth is referenced as a story about immortality, but it is left to conjecture whether old Ridley, and Joachim after him, embodies the spirit of Tithonus (they do wear his symbol, the cicada, on their ring). The old inventor’s experiments seem to be cast as unnatural and overreaching, a form of hubris. Yet this suggestion, along with the book’s exploration of a nexus between youth and old age, the power of eye contact, and the rendering of the human form within a portrait, remains obscure.